supported by 5 fans who also own “Post-Apocalyptic Monster”
Slow, dark and gloomy as if giant mold ate the Earth alive. Great sound, great arrangements, great muscianship. The right amount of everything in every aspect. To my ears in this genre surprisingly colorful record. Great band deserving our attention! yesfan2
supported by 5 fans who also own “Post-Apocalyptic Monster”
Wow smh. A mix of the Scandinavian and the U.S. cavernous filth, rolled into one!!! Welcome to the coffin lowered into eternity! Can't wait for their next offering! afcturn_
supported by 5 fans who also own “Post-Apocalyptic Monster”
I can't formally retract the erroneous 2.0 I gave this back in 2018, but I can say that, five years on, I've come around to this record in a big way. Quality death metal with great atmosphere without being "atmospheric" (read: boring) metal. Diabolus in Muzaka
supported by 4 fans who also own “Post-Apocalyptic Monster”
Whirlwind storm of razor-sharp riffs that always leaves me interested to hear what insanity Gene will play on guitar next. Despite the plethora of twists and turns found in the songwriting here I can’t find a single weak riff on the entire album. Easily as technical as many Tech Death bands while still maintaining the old school menace, Perdition Temple reaches the upper echelon of today’s underground death metal. Dark Avenger